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When developer Diane Botwin stood on a Kansas
City, Mo., street corner in February 2007 and watched her flagship
building —purchased by her parents 34 years earlier—burn
down, she had to balance her own emotional loss against that of
her tenants. She also had to figure out how to proceed: Rebuild
the original 1923 structure, beloved flaws and all, or start fresh.
It was not an easy decision to build an entirely new, modern, and
sustainable building in what Botwin calls the "goofy, challenging,
and creative" neighborhood of Waldo, but the decision to use El
Dorado wasn't hard at all. "When they found out [what happened],
they came running and put their arms around me and said it would
be OK," Botwin says. "This project started that day."

Mike Sinclair
Exterior at night View
The new glass-and-metal structure may look nothing
like the terra-cotta-clad, lath-on-slat original, but it serves
the same function, at least in spirit: a mixed-use space for community
gatherings. "One thing they got exactly right," Botwin
says, "was
the scale of the building." The two-story, 12,500-square-foot
space was designed to hold four commercial tenants. A cantilevered
second story shades ground-floor patios with outdoor seating for
restaurants and coffee shops. A collaboration with local artist
Anne Lindberg—whose
work focuses on the character and weight of drawn lines—resulted
in a 200-foot-long glass public art installation. Working with
glass manufacturer Viracon, Lindberg's line drawing was fritted
onto glass panels that make up the second-floor glazing. In addition
to providing aesthetic value, the pattern also provides sunshading
by filtering the light into the tenant spaces.
To combat issues of stormwater
runoff on the site—a common problem in Kansas City, where
the sewer system is antiquated—El Dorado added a vegetated
roof to absorb rainwater and remove it from the public system.
Though the building is not LEED certified, the firm made sure
it met the standards. El Dorado prepared a report that broke
down all possible LEED points and offered three tiers of options
on how to proceed, with cost outlays and repayment estimates
so that the client could see what was and was not within her
grasp. "As a property owner, I don't care about the certification,"
Botwin says. "What matters to me is that I am doing in my value
system the right thing." And the concern about change from the
good citizens of Waldo? By the size of the Friday night dinner
crowd at Kennedy's Bar & Grill on the ground floor, they've
welcomed it with open arms.
Project: The Botwin Building, Kansas City, Mo.
Client: Diane Botwin, Botwin Family Partners, LP
Architect: El Dorado—Josh Shelton (principal in charge); Steve
Salzer (project architect); Brady Neely (design support and prototyping)
Structural Engineer Bob D. Campbell
M/E/P Engineer: Lankford + Associates
Lighting: Derek Porter Studio
Site-Specific Art: Anne Lindberg
General Contractor: Hoffman Cortes
Size: 12,500 square feet
Completion: September 2008
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